everything evil

debosaurus:

manicpixiedreamskrillex:

trying-to-hide-the-pain:

cartgirl:

ohhhimjustagirl:

thinspocean:

still-moving-on:

m-isguidedghos-t:

Boys don’t understand the horrible view girls have of themselves
AMEN

Literally fml

I’ll always reblog this I think

I should show this to guys when they make comments.

no you dont understand how fucking accurate this is. 

The view if myself is the view that is the chub jest on my entire body

THE FACT THAT THIS IS CONCIDERED A AFUCKING HORRIBLE VIEW OF HOW GIRLS SEE THEMSELVES PISSES ME OFF AND MAKES ME WANT TO STAB MY BED OKAY
LADIES
LISTEN TO ME
YOU ARE FIRECRACKERS
YOU ARE A BLIZZARD
YOU ARE AN APOCALYPSE OF LOVE AND RAGE
YOU ARE NOT AND SHOULD NEVER BE DUMBED DOWN TO WHAT YOUR GODDAMN PERCENTAGE OF FAT TO MUSCLE IS 
YOU ARE BROKEN BONES AND SCRAPED KNEES AND THROATED SCREAMS AND YOU 
ARE
BEAUTIFUL
IF YOU LOOK LIKE THIS, YOU ARE BEAUTIFUL
IF YOU DON’T LOOK LIKE THIS, YOU ARE BEAUTIFUL
IF YOU THINK YOU LOOK LIKE THIS, YOU ARE BEAUTIFUL 
I AM SICK AND FUCKING TIRED OF SEEING WONDERFUL, SMART, TALENTED, WONDERFUL, BEAUTIFUL GIRLS HATING THEMSELVES BECAUSE OF AN UNREALISTIC EXPECTATION SET ON THEM AT A YOUNG AGE
YOU ARE PERFECT THE WAY YOU ARE
OWN IT

I’ve reblogged this before but I never saw that comment and I’m actually crying omg
View Larger

debosaurus:

manicpixiedreamskrillex:

trying-to-hide-the-pain:

cartgirl:

ohhhimjustagirl:

thinspocean:

still-moving-on:

m-isguidedghos-t:

Boys don’t understand the horrible view girls have of themselves

AMEN

Literally fml

I’ll always reblog this I think

I should show this to guys when they make comments.

no you dont understand how fucking accurate this is. 

The view if myself is the view that is the chub jest on my entire body

THE FACT THAT THIS IS CONCIDERED A AFUCKING HORRIBLE VIEW OF HOW GIRLS SEE THEMSELVES PISSES ME OFF AND MAKES ME WANT TO STAB MY BED OKAY

LADIES

LISTEN TO ME

YOU ARE FIRECRACKERS

YOU ARE A BLIZZARD

YOU ARE AN APOCALYPSE OF LOVE AND RAGE

YOU ARE NOT AND SHOULD NEVER BE DUMBED DOWN TO WHAT YOUR GODDAMN PERCENTAGE OF FAT TO MUSCLE IS 

YOU ARE BROKEN BONES AND SCRAPED KNEES AND THROATED SCREAMS AND YOU 

ARE

BEAUTIFUL

IF YOU LOOK LIKE THIS, YOU ARE BEAUTIFUL

IF YOU DON’T LOOK LIKE THIS, YOU ARE BEAUTIFUL

IF YOU THINK YOU LOOK LIKE THIS, YOU ARE BEAUTIFUL 

I AM SICK AND FUCKING TIRED OF SEEING WONDERFUL, SMART, TALENTED, WONDERFUL, BEAUTIFUL GIRLS HATING THEMSELVES BECAUSE OF AN UNREALISTIC EXPECTATION SET ON THEM AT A YOUNG AGE

YOU ARE PERFECT THE WAY YOU ARE

OWN IT

I’ve reblogged this before but I never saw that comment and I’m actually crying omg

(Source: lizbarfart)


littlezombiekid:

the-uncensored-she:

Women should NOT be forced to feed their babies in a bathroom, all because we live in a misogynistic, porn-warped society that’s been brainwashed to believe that female breasts used for anything other than male pleasure is “indecent”. Support public breast feeding and end the porn culture.

Forever reblog
littlezombiekid:

the-uncensored-she:

Women should NOT be forced to feed their babies in a bathroom, all because we live in a misogynistic, porn-warped society that’s been brainwashed to believe that female breasts used for anything other than male pleasure is “indecent”. Support public breast feeding and end the porn culture.

Forever reblog
littlezombiekid:

the-uncensored-she:

Women should NOT be forced to feed their babies in a bathroom, all because we live in a misogynistic, porn-warped society that’s been brainwashed to believe that female breasts used for anything other than male pleasure is “indecent”. Support public breast feeding and end the porn culture.

Forever reblog

littlezombiekid:

the-uncensored-she:

Women should NOT be forced to feed their babies in a bathroom, all because we live in a misogynistic, porn-warped society that’s been brainwashed to believe that female breasts used for anything other than male pleasure is “indecent”. Support public breast feeding and end the porn culture.

Forever reblog

(Source: behance.net)


thedeathoffilm:

David Downton Goes MAD (Men)
gloriously alliterative fashion illustrator David Downton is responsible for 2 of my favorite Criterion covers (Belle du Jour and Lola Montes), and he recently applied his signature touch to a trio of the show’s main characters. methinks that further explanation is unnecessary for anyone who might think this is neat, in the first place.
check out Downton’s blog for more great portraits.
thedeathoffilm:

David Downton Goes MAD (Men)
gloriously alliterative fashion illustrator David Downton is responsible for 2 of my favorite Criterion covers (Belle du Jour and Lola Montes), and he recently applied his signature touch to a trio of the show’s main characters. methinks that further explanation is unnecessary for anyone who might think this is neat, in the first place.
check out Downton’s blog for more great portraits.
thedeathoffilm:

David Downton Goes MAD (Men)
gloriously alliterative fashion illustrator David Downton is responsible for 2 of my favorite Criterion covers (Belle du Jour and Lola Montes), and he recently applied his signature touch to a trio of the show’s main characters. methinks that further explanation is unnecessary for anyone who might think this is neat, in the first place.
check out Downton’s blog for more great portraits.

thedeathoffilm:

David Downton Goes MAD (Men)

gloriously alliterative fashion illustrator David Downton is responsible for 2 of my favorite Criterion covers (Belle du Jour and Lola Montes), and he recently applied his signature touch to a trio of the show’s main characters. methinks that further explanation is unnecessary for anyone who might think this is neat, in the first place.

check out Downton’s blog for more great portraits.

(Source: truthandmovies)


A co-worker closed the door to the staff room behind him.
It locked automatically
and I started planning what I could use as a weapon:
smash the glass beside the fridge into his eye.
pick up the fork next to me and sink it into his leg.
claw him across the face if I couldn’t get to anything in time.
As I calculated how hard it would be to shove his body weight off of me,
he finished making his lunch, said, “Sup,” and left,
the door automatically locking behind him.
I expect if I told him I was prepared to stab him with the corner of my staff ID if I had to,
he would say what I’ve heard too often, the one we all know
but are getting wearily suspicious of:
Not all men are like That.

When I was eleven, all the girls in my class got sent to self-defence
because they assumed we’d need it one day.
When I was twelve, there was a prostitute’s body dumped in the river next to my house
because someone thought she was disposable.
When I was thirteen, it happened again and this time the man went to jail
and people stood outside the courtroom and held up signs that he did the right thing.
When I was fourteen, my friend showed up to a sleepover late, chest heaving from sobbing
and from running four blocks after getting chased by a man that followed her off the bus.
When I was fifteen, my mother accused me of being a Man Hater
and I said, “No, but god, would you blame me if I was?”

I got catcalled and then got laughed at when I flipped them off.
they pulled up beside me and I clutched my bag tighter,
my hand going in for my keys and my mind going over how their noses would look
if I smashed them in with my elbow.
“What’s the big deal,” the guy at the steering wheel asked. “We’re just complimenting you. We’re not like That.”

Sorry, but I’m not going to trust you in case I end up on a poster labelled ‘MISSING.’
Even if you seem like the nicest guy, I’ll still have one hand holding my keys
as the only knife I’m allowed, because I don’t know how far you’re going to take it:
if you won’t back off when I tell you I don’t want to date you
if you’ll shout BITCH at me when I don’t respond well to your catcall
if you’ll expect my body as a reward for treating me like a human being
if you’ll try to take what you think you’re owed by being a man
if you’ll turn me into another statistic that people shudder away from.

I have been trained to assume that it’s a wolf in sheep’s clothing
or face the consequences.
I don’t know if you’ll nod when I reject you
or pump me full of bullets.

Every single woman I’ve talked to has a story where they haven’t felt safe in their own body
because of what a man said or did.

Not all men are like That, but god, it’s enough.

— 'Welcome to Girlhood: None Of Us Are Safe,' theappleppielifestyle. (via stopdropandbeauty)

(Source: theappleppielifestyle)


ami-angelwings:

badass-bharat-deafmuslimpunkstar:

An Indian woman, a Japanese woman, and a Syrian woman, all training to be doctors at Women’s Medical College of Philadelphia, 1880s. (Image courtesy Legacy Center, Drexel University College of Medicine Archives, Philadelphia, PA. Image #p0103) (x)

The Indian woman, Dr. Anandi Gopal Joshi, was the first Indian woman to earn a degree in Western medicine, and also believed to be the first Hindu woman to set foot on American soil.
The Japanese woman, Dr. Kei Okami, was the first Japanese woman to obtain a degree in Western Medicine.
The Syrian woman is Dr. Sabat Islambooly.  Her name is spelled incorrectly on that photograph. 
For those interested, here’s more information on other women of color who attended and graduated from Women’s Medical College of Philadelphia in the past, with a focus on the Japanese-American women they accepted during the US WW2 internment of Japanese-Americans.
View Larger

ami-angelwings:

badass-bharat-deafmuslimpunkstar:

An Indian woman, a Japanese woman, and a Syrian woman, all training to be doctors at Women’s Medical College of Philadelphia, 1880s. (Image courtesy Legacy Center, Drexel University College of Medicine Archives, Philadelphia, PA. Image #p0103) (x)

The Indian woman, Dr. Anandi Gopal Joshi, was the first Indian woman to earn a degree in Western medicine, and also believed to be the first Hindu woman to set foot on American soil.

The Japanese woman, Dr. Kei Okami, was the first Japanese woman to obtain a degree in Western Medicine.

The Syrian woman is Dr. Sabat Islambooly.  Her name is spelled incorrectly on that photograph. 

For those interested, here’s more information on other women of color who attended and graduated from Women’s Medical College of Philadelphia in the past, with a focus on the Japanese-American women they accepted during the US WW2 internment of Japanese-Americans.

(Source: badass-bharat-deafmuslim-artista)


asylum-art:

Henrique Oliveira: roots his largest installation to date at the MAC, sao paulo
Henrique Oliveira: constructs a Cavernous Network of Repurposed Wood Tunnels at museum of contemporary art, university of são paulo His largest immersive installation to date , using materials recycled from his home city’s urban fabric, oliveira has configured a massive series of snaking wooden columns wrapping through the interior space, which can be entered and experienced by the visitor.



asylum-art:

Henrique Oliveira: roots his largest installation to date at the MAC, sao paulo
Henrique Oliveira: constructs a Cavernous Network of Repurposed Wood Tunnels at museum of contemporary art, university of são paulo His largest immersive installation to date , using materials recycled from his home city’s urban fabric, oliveira has configured a massive series of snaking wooden columns wrapping through the interior space, which can be entered and experienced by the visitor.



asylum-art:

Henrique Oliveira: roots his largest installation to date at the MAC, sao paulo
Henrique Oliveira: constructs a Cavernous Network of Repurposed Wood Tunnels at museum of contemporary art, university of são paulo His largest immersive installation to date , using materials recycled from his home city’s urban fabric, oliveira has configured a massive series of snaking wooden columns wrapping through the interior space, which can be entered and experienced by the visitor.



asylum-art:

Henrique Oliveira: roots his largest installation to date at the MAC, sao paulo
Henrique Oliveira: constructs a Cavernous Network of Repurposed Wood Tunnels at museum of contemporary art, university of são paulo His largest immersive installation to date , using materials recycled from his home city’s urban fabric, oliveira has configured a massive series of snaking wooden columns wrapping through the interior space, which can be entered and experienced by the visitor.



asylum-art:

Henrique Oliveira: roots his largest installation to date at the MAC, sao paulo
Henrique Oliveira: constructs a Cavernous Network of Repurposed Wood Tunnels at museum of contemporary art, university of são paulo His largest immersive installation to date , using materials recycled from his home city’s urban fabric, oliveira has configured a massive series of snaking wooden columns wrapping through the interior space, which can be entered and experienced by the visitor.



asylum-art:

Henrique Oliveira: roots his largest installation to date at the MAC, sao paulo
Henrique Oliveira: constructs a Cavernous Network of Repurposed Wood Tunnels at museum of contemporary art, university of são paulo His largest immersive installation to date , using materials recycled from his home city’s urban fabric, oliveira has configured a massive series of snaking wooden columns wrapping through the interior space, which can be entered and experienced by the visitor.



asylum-art:

Henrique Oliveira: roots his largest installation to date at the MAC, sao paulo
Henrique Oliveira: constructs a Cavernous Network of Repurposed Wood Tunnels at museum of contemporary art, university of são paulo His largest immersive installation to date , using materials recycled from his home city’s urban fabric, oliveira has configured a massive series of snaking wooden columns wrapping through the interior space, which can be entered and experienced by the visitor.



asylum-art:

Henrique Oliveira: roots his largest installation to date at the MAC, sao paulo
Henrique Oliveira: constructs a Cavernous Network of Repurposed Wood Tunnels at museum of contemporary art, university of são paulo His largest immersive installation to date , using materials recycled from his home city’s urban fabric, oliveira has configured a massive series of snaking wooden columns wrapping through the interior space, which can be entered and experienced by the visitor.



asylum-art:

Henrique Oliveira: roots his largest installation to date at the MAC, sao paulo
Henrique Oliveira: constructs a Cavernous Network of Repurposed Wood Tunnels at museum of contemporary art, university of são paulo His largest immersive installation to date , using materials recycled from his home city’s urban fabric, oliveira has configured a massive series of snaking wooden columns wrapping through the interior space, which can be entered and experienced by the visitor.



asylum-art:

Henrique Oliveira: roots his largest installation to date at the MAC, sao paulo
Henrique Oliveira: constructs a Cavernous Network of Repurposed Wood Tunnels at museum of contemporary art, university of são paulo His largest immersive installation to date , using materials recycled from his home city’s urban fabric, oliveira has configured a massive series of snaking wooden columns wrapping through the interior space, which can be entered and experienced by the visitor.

asylum-art:

Henrique Oliveira: roots his largest installation to date at the MAC, sao paulo

Henrique Oliveira: constructs a Cavernous Network of Repurposed Wood Tunnels at museum of contemporary art, university of são paulo His largest immersive installation to date , using materials recycled from his home city’s urban fabric, oliveira has configured a massive series of snaking wooden columns wrapping through the interior space, which can be entered and experienced by the visitor.